Looking back on 2021, there are seasons to our activities as a collective and if there was a theme for us as a collective and as individuals this year, it was to not do anything we didn't want to, let go of the difficult and make space for doing more of what we want to do. 2021 was hard enough, we rolled with it and did what we could to enjoy the ride. We were able to grow as a collective, making connections to new community (institutional) partners as well as connect with, support and learn from new artists so what more can you ask for?  Here are some photo highlights season to season.

photos from left to right, top to bottom: Leah models her fancy patched knee, Tanya models her fancy pieced scarf, Anna leads a "Repair as revolutionary act" workshop for her neighbours, with our support, Marnie models a pompom earring.  Next row: Textile Artist Marina Dempster joins us for a series of classes with SAL group, Otis models patched snowpants, a T-SHIRT BAG pamphlet designed by Treya, Foofy the rabbit and cloth rabbits from an online kindergarten class. Third row: Helene Frank at a Tshirt online workshop at the Textile Msueum, Building Roots volunteers at Moss Park, Leah and Ursa making upcycle kits at Moss Park, Fourth row: Columbus the cat with issue of Extember zine, Tanya with Tshirt yarn weaving, Leah with Tshirt yarn macrame and T shirt bag Final row: Workshop ad for Do it Together online workshop, with Marnie leading demo and BR host Tooba 

January to March: playing with educators
   Fresh from our group coaching sessions with Amy Brown, Works-in-Progress exec (?) Leah Sanchez, Marnie Saskin and Tanya Murdoch began to meet regularly to plan and to connect with educators to move our (Ontario Arts Council funded) creative curriculum experiments forward.  Marnie and Tanya lead a second online kindergarten class with Leona Breslaw, making bunnies with cloth and learning about a real angora rabbit- kids used handkerchiefs, dishcloths, bandanas and even paper towels to make their own pet rabbit.  We worked with older learners as well:  after the Eco Fair in Fall 2020, an educator with the Supervised Alternative Learning (SAL) program worked with us and their 14-18 year old learners on a 6 week series; we alternated artist lead techniques/talks with collaborative work sessions and looped in textile artist Marina Dempster and WIP artists Leah Sanchez to give artist talks as part of the series. The students helped us workshop our bunting pamphlet and were inspired to create some for the halls of their school.

We put out a second issue of our 'zine Extember- Sticks + Stones, featuring buy nothing stores, making useless things and wasps, as well as profiling artist Gomo George (one of his paintings is part of the Fragments of Epic Memory show at the AGO until late February.)

Our friends from Building Roots started up an online version of the Do it Together workshop series, and we lead a workshop with them on T-shirt bags + Clothing Swaps. The workshop is intended to drum up community support for an Earth Week clothing swap but the pandemic has other plans...

photos from left to right, top to bottom: CANCELLED! poster for Earth week clothing swap, Leslie (from NEST) + Tanya and friends make bunting for Encampment dwellers at a Building Roots BarBQ,  Rewild logo designed by Tanya for NEST as part of an online Earth/eco action, We supply silk ties to Isabelle, who shows us how to make silk dyed eggs. Row two: Greg Chambers from video still "Artist approach to Repair" Make your own kite pamphlet designed by WiP artist Treya Beaulieu Ursa and Tanya at Moss Park Market, silk dyed eggs Third row: retro amp repaired by Greg Chambers, Delivering Kite kits to Tooba at Moss Park Market, Images from Gomo and Abby leading online Kite workshop as part of the Do it together series. with Building Roots. Next Row:  WiP artist Safitya Saskin launches yarn.af to sell her hand spun Merino wool. , ., Next Row: Helen Frank (@helenmends) leads repair workshop with Sharon from Double Take, and a happy kite-maker.  Final row is a montage from our patterning workshop at the Textile Museum of Canada , with Leah, Tanya, Gabrie Adair, Jiyoon Moon, Marnie and demo table., followed by Gabrie's work in progress and another issue of Extember. 

April + May: Pandemic Third Wave:

By early April it was obvious that the pandemic was far from over and any in person face to face events we had planned ran up against the Third Wave of Covid-19 (remember when Ontario Premier Doug Ford promised to arrest people loitering?) After multiple discussions, we decide to not rework the Earth week swap but instead cancel until September. What a relief!

When you close one door, another opens: we received our official notice of the Waste Reduction Community Grant from the City of Toronto, to begin March 2021, which gave us a broader funding mandate.  And, we got back to first love of making things... videos, logos, bunting, experiments with wallpaper and scraps, supporting artists and building a maker community. 

Workshops continued online.  In April we lead an online workshop at the Textile Museum of Canada called Sustainable Textile Teach-In: DIY Patterning with Works-In-Progress This was a group lead discussion on approaches to pattern making and design with WiP artists Jiyoon Moon, Leah Sanchez, Tanya Murdoch, Marnie Saskin and Gabrie Adair (with Futuristic Ruins) In May, Artist Gomo George and his daughter Abeyomi lead us through a kite-making workshop in May as part of the Building Roots Do it Together series. This was all hands on deck, supported by workshop kits for participants (assembled for high school volunteer hours by artist Jakob Bautista) delivered through Moss Park Market. The workshop was hosted by Kate Hamilton. 

Community building: We were contacted by local maker Isabelle to source silk from our stash to do egg dying- she shares the results in an upcoming issue of our 'zine, Extember. We are excited to share the work of artist in the collective, including a new side hustle for Spinner Safiya Saskin @yarn.af And with our new funding we reached out to offer video support to an institution offering online workshops: Double Take thrift store.

As the weather heats up, we are more interested in finding (pandemic safe) ways to work with other outside. Building Roots invites us to take part in a Barbeque they are hosting for a an Encampment support network event, so Leslie Solomonian and Tanya take down some bunting materials and we do some socially distanced making while taking in the speeches and tunes, and leave them for the tent community. This gives us an idea for more art support, via bunting.

photos from left to right, top to bottom: Marnie Saskin and Tanya Murdoch hold up bunting kits, bunting kit, Appletree Farmer's market with bunting, Chris Trussell from Appletree holding up donated bunting, Beata and Kuba at our drop in bunting workshop. Row two: flags at half mast, two pairs of shoes artwork by Jiyoon Moon, tiny harvested cuke, bunting pamphlet designed by Treya Beaulieu, Leah Sanchez with bunting kits at Appletree Farmer's market min row: brushes and materials donated to building roots for banner project lead by Building Roots. Third row: Safiya Saskin spinning angora yarn, refinishing project, Marnie with painted fabric, shoes donated from Davisville school, Cia Prior with her composter at Davisville Community garden, Extember plants issue 2 Final mini row: little free library in progress, sweet grass harvest Tie dyed Tshirts at Moss park Market (part of a WIP donation to Building Roots.)

June-August: summer of connection and play
At the end of May, 215 graves were found at the site of a former residential school in BC, and flags were lowered across the country.  Individual artists in the collective looked for ways to process this fresh grief (blog post here). We also received a donation of hundreds of shoes, 2 years worth of abandoned or unclaimed shoes from the lost and found at Davisville school as they relocated, especially poignant in the timing.  Two bags were immediately taken for Afghan families relocating in Toronto.

web of relations: The summer was full of things falling into our laps. Retiring educator and friend of the collective Nancy Rawlinson donated her collection of wonderful objects and art supplies to use or redistribute, and immediately were asked by Building Roots for some art/textile supplies as they tried to reopen Saturday fun in the park days.  We donated 25+ gently used T-shirts to be repurposed into Tie dye tees and some of our old art supplies (+ some from Nancy) and sheets went to programmer Amy Rumbolt, also from Building Roots, to make a banner at a creativity workshop at West Lodge in Parkdale at the end of June.

community support:  The pandemic restrictions were hard on everyone, and we were happy to see Appletree Market return after a year hiatus, albeit with limited access to the market. They had to build temporary fences every week to control flow of visitors, using yellow plastic caution tape, so we loaned them some of our bunting, had a work bee to make pay-what-you-can bunting kits to support the market (donations were to be split 50/50 with WiP and Appletree) plus lead a drop in workshop to make bunting for the market to replace the tape. It was good to be (cautiously) around humans again, and making things collectively.  It felt like 2019 again, being back by the Davisville Community garden doing a workshop, and we got to know gardener Cia Prior: she and other gardeners and foragers contributed to TWO plant based issues of Extember.

ad hoc play: we also did a lot of being outside, as individuals- camping, gardening, experimenting with friends, restoring old junk, harvesting and gifting.  A lot of soul restoring goodness to store up reserves for winter.   Also, Vaccines were becoming available across the country to everyone over 12, it began to seem as if we could actually spend time inside with people again, just in time for Fall.

photos from left to right, top to bottom: Clothing Swap donations in Amy's shed (above) plus sample shoes (below) Otis printing (gender free) signs, Zenadine putting up posters in Westdale (Hamilton), WiP clothespins at Westdale Swap, Amy (and shadows of Amy and Tanya) putting up posters, posters and map on the little free art library in Hamilton. Row 2: Anna holding up her finds, the Back to school swap poster designed by Treya, 3 volunteer hosts at the Davisville (Toronto) swap, clothing swap bunting sign (photo by Delphine) Third Row: tanya at Double Take store, Tanya, Leah, Tooba and MAxc at Moss PArk market, Moss park swap clothing, Marnie and Nancy at the repair site of the Davisville swap #stitchitdontditchit Leah setting up Marnie's pod lamps at Double Take, Cairine Fong and her masks, Susan with her repair project, Double take studio window reveal in November, with Leah, Tanya and Marnie album cover style outside the store mural; bottom row: some other artists contributing to the residency: Lukas Bautista, Anya Laskin, Nancy Rawlinson, Gabrie Adair, and a sample tag from the shop.
September-December: recruitment and sharing
The two big events of the fall through the end of the year were our series of Back-to-School, Neighbour to neighbour clothing swaps in the Westdale neighbourhood of Hamilton, the Davisville and Moss Park neighbourhoods in Toronto AND the artist residency in the storefront Double Take from mid November, a thrift store that supports the work of Yonge Street Mission as well as their expanding up-cycling efforts.

The Swaps: We wrote about the swaps extensively in our earlier blog  but they were the next step following on our first pandemic swap in 2020; we find this style of swap the best to manage, most rewarding for the hosts and volunteers and safest during a pandemic.  Each yard hosts one-2 sizes, and are responsible for their shop set up and take down, no central organizing, and all sizes come to one place (ideally, the size that the host is seeking)  We plan to do this again in the Spring of 2022, around mid April, again as a series of swaps, with one feeding the next, ending at Moss Park. We will include adult sizes in the next swap, and hope to connect with like minded grassroots organizations at each site to make it even better.

The residency: In October, we applied to be (collectively) one of three artists in residence at the Double Take thrift store at 310 Gerrard Street east in downtown Toronto, and our application was accepted.  We have been longtime fans of the programs at the store and the use they have made of their institution to steward used clothing and textiles away from the garbage, and generate income and jobs and programs en route.  It meant that we would be decorating one of the three windows in front of the newly created Double take studio (housing affordable up-cycled materials and in person workshops) AND selling up-cycled items (with 75% going to the artists) in the store AND running a workshop (or two) ... we are planning an online workshop with the shop on January 29th, 2022. The shop meant that we could recruit artists who have not done retail/marketplaces before to contribute and make items for the store, or sell off extra stock (Artist are all on our website, here) 

Other end of year connections: we have recently connected with other up-cyclers through social media, including a young maker with a fashion/science background who is interested in doing workshops with us in Toronto and another education focused maker in Idaho about distributing her repair manifesto/manual- we will keep you posted! We are looking for new institutional partners in Hamilton, and building on our current connections, and continue to dream of a shared space to play.  Despite the current lockdown across Canada and much of the world, we continue to seek connections, play and share the joy of re-imagining and making new things from old. Happy New year from Works -in-Progress.

So another experiment in this collective- we applied for an artist in residency and got it! So, as a collective, as of early November, we are taking one of three residencies in the Double Take thrift store, which supports Yonge Street Mission and Evergreen Mission, as well as other programs and of course, serves the local Cabbagetown community (and beyond) by running an awesome and affordable second hand clothing/ housewares store.

We have long been fans of the store, donating our swap remains over the years to their intake centre in the back (always stopping in to peruse the goods in the front as well, of course)  Over the summer, repair activist Helen Frank @helenmends was one of the artists in residence here and in June I (Tanya) attended one of the online workshops she ran, hosted by @doubletakeysm (worth following on the 'gram!) They make good use of their shop, looking to highlight vintage goods for extra money for those who can afford it, running interesting programs (like @jubileeworkroom) and creating an upcycling centre with torn clothes available at low cost for would be makers and repairers.  We went down to check out the store on October 8, meet our contact, Sharon, and had a serendipitous run in with one of the other artist in residence, @economydrygoods

The residency includes decorating a storefront display AND having items for sale in the store AND opportunity to co-host workshops with Double Take. So a great gateway for a bunch of the artists in our collective (or proximal) to stick our toes into making things for sale, into making public art for display, into running workshops with a new community. All very exciting. Our minds are filled with joyful possibilities and our hands with art making experiments.

Well, that was fun. We hosted 3 clothing swaps in three neighbourhoods over 3 weeks of back to school swapping of kids clothes.  Despite some stress over weather, we had three beautiful Saturdays, plenty of volunteers hosting, putting up posters, storing clothes between swaps (thanks Amy!)

Each neighbourhood had a primary lead from Works-in-Progress (Marnie in Hamilton, Tanya in Davisville, Leah in Moss Park) who worked with volunteers and co-hosts. We kept the swap time limited to three hours- enough time to visit, not too tiring for volunteers.

The Westdale community in Hamilton was new to us, so Marnie reached out to the local Buy Nothing Group and found enough hosts within walking distance to her home to host in their own yard, and a few extra people to help co-host.  Each host was hosting the size they wanted, and everyone got some good finds.  We had a car load to start: clothes from last year's swap and a LOT of classroom shoes from the 2019-2020 school year.  Hosts all reported that donations came and they had a steady series of "shoppers" at all locations.  We ended up with more than we started with for the next swap, and some neighbours added to the fun with a lemonade stand and tunes.

The following Weekend we were in Davisville, Midtown Toronto, where we have been co-hosting swaps for many years, and had many return hosts and donations as well as some new participants. People are generous and community minded and we had enough yards that we were able to keep the event to a couple of blocks, making it easier for families with multiple children to go from yard to yard for different sizes, and gave it the feel of a street fair.  With increased traffic and enough yards, we were able to add on a repair and upcycling station to demo and encourage people to seek ways to extend the life of their clothes (either through repair or by sending them on a new journey as a basket or doll.)  We were VERY busy at all stations all day, with many donations coming in AND going out.  Based on host estimates, an average of 20 bags/yard went out over 6 yards... so about 120 bags of clothes found new homes and AGAIN we had more than we started with.  As well, reports back from hosts saying that there were other less quantifiable measurements of change:  kids had an opportunity to help AND shop, and families witnessed that you can just share your clothes and get new ones and help each other this way, without shopping.  Also, many people will be back: we plan to do this again in the Spring, with the support of our local councillor, perhaps expand it to an eco fair in the park and add adult clothes.

The final weekend, October 2nd, was in Moss Park, where we partnered with Building Roots as part of their (extended) Summer animation in the park. This is a food scarce neighbourhood and Building Roots runs a weekly market (Moss Park Market at 260 Queen Street E.)  We have worked together in the past, hosting a Winter clothing free market in 2019 and co-hosting up-cycling and repair workshops in person out of the market in early 2020 and virtually online during the pandemic.  The Moss Park Market has remained open throughout the pandemic, and they have used this public facing space to bring extended food delivery but also books, games for kids, and activities in the park; we were pleased to be part of this tradition.  Building Roots provided tables and blankets and a volunteer network, as well as a co-lead, Mac, and Leah brought signs and bags and our remainders from the week before.  The event ran 12-3, and for the most part it was well received, many families took part, and the clothes were very welcome.  We still had remainders but less than we started with this time.

All in all, a lot of clothes found a good home.  We made about $280 in donations altogether from all three swaps, this can go to pay our poster artist, Treya, and cover the costs of shlepping (gas for cars) and printing posters.  We want this to be a regular event in these neighbourhoods, so people can plan and save outgrown clothing donations for it, and plan to shop used rather than new.

This was an expansion of the work we have been doing for years, and the bulk is still done by volunteers, but we we able to pay for administration hours through a Waste Reduction Community Grant from the City of Toronto's LiveGreenTO program.  For these swaps, we had no central location to collect clothes, so everything had to be dropped off the night before or day of the swap- this disperses the work and makes sorting and packing up manageable.  There is little management needed- one person can run point as long as there are hosts on the day.  This is a replicable model- we shared resources and passed on signs and tips from swap to swap.  It builds on a circular model of giving, rather than donations to a central charity for redistribution.  Neighbour to neighbour to neighbour and back again. AND it was fun and low stress, which is what we aim for in all our endeavours. .

Second-hand clothes come with their own history, stories, smells, and sometimes...bugs!

Lice like fastidiousness, bedbugs can be ubiquitous, moths are voracious, and fleas are rambunctious. This is not a moral judgement of people's cleanliness 'cause doing that is icky; it's more like physics - things that you can't deny and just have to deal with :-)

So how to reap all the benefits of keeping clothes in circulation without also keeping the bugs in circulation?

If you are running a swap, requesting that all clothes come clean, bagged, and labelled is a start. But what if you're on the yay! bringing-clothes-home end?

A couple of handy guidelines:

First, make no assumptions. Let's not be prejudiced with our clothes. Assume all second-hand clothes have teeny hitchhikers.

Second: Quarantine. What? We all know how to do that now and how effective it is. Whatever bag your recent-to-you clothes come in, it's a good idea to keep it separate from other clothes until you can do laundry. Walk your haul straight to the washer if you have one, or keep them by the front door if you don't. Obviously the dreaded plastic bag is good for this, as it can be tied closed and is a complete barrier. Paper bags can be folded over and tied or elastic banded. If you really want to use cloth bags, tie them tight and make sure they are washable on hot. Do. Not. Put. Second-Hand. Clothes. In. Your. Dirty. Laundry. Pile! Bedbugs will say thanks! and moooove right in ;-)

Third: Wash. I try to only buy or swap second-hand that can be washed in hot water. 60C kills everything, but it's really the dryer (on hot!) that kills things like bedbugs. Heat (and slightly higher electricity bills) are your friend here. Save the eco-friendly cold water wash and line dry for after.

Last: If you fall in love with a woolly sweater, a sweet suit jacket, or find yourself with things that can't be washed (like shoes) the freezer is your friend. If you've got one of those mini-fridge freezers you might have to eat all your icecream first (oh nooooo), but it should do in a pinch (it will probably be cold enough for moth larvae, but probably not for bedbugs, sadly - you might have to borrow a friend's big fridge or chest freezer).

Gorgeous day learning about how angora goes from bunny's back to the softest two ply yarn.  Safiya spins her own yarn- some sourced from other raw/dyed wool, but some from the family angora rabbit, Foofy.  With the reopening of the Textile Museum of Canada this fall, they are opening an upcycling centre, where you can purchase donated material and tools, take a workshop, and learn about the life cycle of textiles through displays and videos.  So I went to Hamilton with family to record Safiya spinning wool and produce a video for the museum (visuals only).  It was such a gorgeous day and light and ambieance and I haven't made a video for a while where I was outside, taking part... I forgot the pleasure of engaging in the world in this way, with someone who is immersed in what they are doing. So this video is a sidebar, made for pleasure, about the pleasure of a late summer day outside, making things... and the sounds of katydids. Also, the whole process is super compelling and hypnotic and something that must be seen. she makes it look easy.

Artists have a unique approach to reuse and repair, usually finding their own path to making things whole.  It is an approach that works for some of us, where the step-by-step instructions may not.  To explore this, we will be interviewing artists who repair/reuse items or make use of found objects in their work, developing transferable skills on the way.

The first artist featured is a musician, Greg Chambers, who (with his wife Lisa Nighswander) have been part of the Toronto indie music scene since the 1990s. (Currently, they play together as part of the band Away Forward). They have also spent many years working in theatre production and when the pandemic hit, Greg found both skills served him well and developed a side hustle of fixing amps and other musical electronics.

This video is a work in progress still- we are working on animation to unite the theme of the video, but we are grateful to Greg for giving us his time and perspective.  If you need an amp or stereo repaired, you can reach him at dernaem@aol.com

This project is supported by the City of Toronto through its Waste Reduction Community Grants and by the Ontario Arts Council through its Artists in Education and School Grants.

There is enough if we share.

We love Little Free Libraries. But how about a...Little Free ART Library?

Participating in Works-in-Progress helps me practise that walk away from a scarcity mindset. During the shut-down I signed up to our neighbourhood's Buy Nothing Network. It's been fascinating witnessing stuff shuttle around the neighbourhood in real time, helping people out, moving to homes who could very much, yes please!, use those empty plastic plant pots/really old golf clubs/extra plastic grocery bags/kid's bike/cookbooks. 

And it's helped me feel more connected during an isolating time in a fun, casual way.

​The cupboard is from that network. The plastic sheet is from my friend Anna. The super-not-environmentally-friendly-but-outdoor-sturdy paint was leftover from a project of older child's years ago.

Plan: cut out middle of doors, finish painting them to match frame (and cover that beige!), add plastic, re-attach, add knobs. Add legs/spikes on the bottom to secure in lawn. Add roof. And of course, decorate :-)

Ta-Da! Little Free ART Library!

Many people across Canada (and the world) are just learning about the 215 children found buried in an unmarked grave outside of a residential school in Kamloops BC. Works-in-Progress artist Jiyoon Moon made this image as a way of processing this information.
"Those moccasins..." she writes. "I can't imagine what it would feel like to have my kids taken away from me..."

It is not new information, but it has brought home the findings of the TRC. In 2015 the Truth and Reconciliation Commission completed a process begun in 2008 with the apology by then PM Stephen Harper to all First Nations, Inuit and Métis people whose lives had been affected by residential schools.  There was a thorough report based on the witness stories of thousands of former students and staff of residential schools across Canada, and 94 calls to action for schools, governments and individuals.  You can find out more here on the TRC site:   http://www.trc.ca/about-us/trc-findings.html

As artists (writers, musicians, performers) you need to process.  Making images, writing poems, singing songs, helps us to internalize information, seek the truth, true relationships with the truth, a way to communicate your truth and best medium for making the truth felt.  Another artist in our collective, Marnie Saskin, tried to understand the recent renewed conflict in Israel and Palestine, as someone who has no skin in the game, and she felt it helpful to consider the settler relationship to this land. I will add that when I find it :)

And me, i am a video artist and painter (here's my video site) my daughter and husband are writers and speakers and I can use my tech skills to share their voices. Ursa is now 18, but she gave this speech back in 2015 for a grade 6 speech arts contest at her elementary school. It is a fantastic summary of the tragedy of residential schools in our shared history.  (turn on Close captioning, the audio is a little like it was recorded in a gym, which it was.)

It was 6 years ago this week that the TRC issued their calls to action, including a demand for churches and governments to release their records so we can know about the unreported deaths like these 215 lives in Kamloops.

We all need to understand our shared history. Inform yourself, whatever your process.

Our stereotype of the artist, the entrepreneur, the scientist, the explorer is of a person alone, creating, competitive, secretive. We embrace a different model- while we need  to spend time on our own work, we all benefit from working together, sharing our work and knowledge and funding and networks.

We have worked in the same arena as Helen Frank, aka local mender and "craftivist" @HelenMendsto, taking part in Eco Fair last Fall, and then made a video of her workshop at the Textile Museum of Canada this Spring. And when we saw that she was bringing her workshop to Yonge street Mission, we offered to make a video to share, so here it is. 

We are excited to have connected with the work being done by Yonge street Mission through their storefront Double Take. We hope to work with them further, via swaps, mending kits with Building Roots and maybe programming or art initiatives. Yay!

Great workshop on May 23rd.  It is great to have so much experience leading us, and invaluable to have nice close images of each step.  We really enjoyed seeing Abby and Gomo (it's been too long) and, if you couldn't make it, we have resources available for anyone who wants to make their own kite:  a how-to video, a fabulous pamphlet as reference and a few remaining kits. Here's the video, the pamphlet is on our resources + useful info page and there are a few remaining kits at Moss Park Market if you get in touch.

This was a true group effort. Inspired by thekite making workshop we did for fun last summer between grants, we asked artist Gomo George and his daughter Abby Bird-George to get the band back together and host another workshop, with the financial support of the Ontario Arts Council and the City of Toronto through their Live Green To Waste Reduction Community Grants.  We were able to be part of the Do it Together workshop series curated by Kate Hamilton and ask artist Treya Beaulieu to put together another "Make your own____" pamphlet from the material list and video provided by abby and Gomo.  And we recruited a teen artist to take on putting together physical material kits to be distributed through the Moss Park Market location on Market day before the workshop.  I fell like we are ready for lunch 'n' learns in the future! 

Having these grants makes it possible for us to offer these workshops for free to participants, to support our community partners with materials, give the workshop proper material support and make sure the artists involved are paid.

This workshop was a joy. Making the kites was so fun, and seeing an artist with this much experience is a priviledge.  It also took me, personally, three or four tries to get it right.  Some of the participants snapped the frame when they tried to bend it.  As I said at the top of the workshop, watch, listen, pay attention, take your time with each step. Be with the kite. and then pray for wind and be grateful when it comes. I have been running out whenever I see the wind in the trees.